July 29th, 2010Californian Machine

The Answering Machine have arrived at the base in Laurel Canyon to start a series of LA dates showcasing both their debut album Another City Another Sorry and also to allow eager West Coast audiences a chance to hear some tracks from their second album due out later this year.

The play a special show at the historic Madame Wongs venue tonight 29th and at the Echo tomorrow 30th. More details on http://www.theansweringmachine.co.uk

July 7th, 2010The Answering Machine go all app on us.

The Answering Machine are pleased to announce their totally FREE app for iPhone users (sorry, androids, symbians, two cans and a string users, no app for you just yet).  However for those who are part of the iPhone generation, search for ‘the answering machine’ in the iphone’s app store or go to the band’s spendid iTunes app page as follows.

http://itunes.apple.com/gb/app/the-answering-machine/id379383212?mt=8

A special prize goes to the one millionth downloader……….

Oh and whilst we are getting all tech’ie on your ass, why not follow Heist on Twitter (@heistorhit) plus The Answering Machine (@theansmachine), LoveLikeFire (@lovelikefire) , The Crookes (thecrookes) and Pomegranates (@pomegranatesart)

June 11th, 2010The Answering Machine – A line in our Life

The Answering Machine at the JD Set courtesy of Shirlaine Forrest

Fresh from completing the tribute to the Buzzocks JD Set on Channel 4 together with Tim Burgess, The Answering Machine are off to the mixing studio next week to start mixing their second album. The album, recorded in Manchester by the band themselves and produced by vocalist Martin Colclough, suggests a mature progression from their first album. The following are Martin’s thoughts on what the band were trying to achieve with their sophomore album.

We ended 2009 with a wonderful feeling in our hearts. We had created the debut album we’d been dreaming of since the band formed. It packed a punch and we believed it captured the boisterous energy of the infancy period of The Answering Machine. We spent the month of November 2009 hanging out in an apartment in Brooklyn, NY, feeling somewhat anxious as to the new direction of the band. As any band will say, the pressure placed on a second album is like nothing else. There’s a sense of finding some middle ground between the start and end product. We explored a few avenues, creatively. Beginning with a raw Sonic Youth-eque track called ‘Winter Without You’. The intensity and passion was there, but we just didn’t feel it reflected where we were at.

At this time, there was a certain sense of anxiety within the band. Not with each other, but more a reassessment of who we are and what we want to be. Something of a mid-mid-life crisis struck me, and the result was a song called ‘3 Miles’, the first track we completed as a band for the new record. It draws on emotions like we never have before in The Answering Machine, and is a ‘heart-on-sleeve’ account of where my head was at. It was also the creative spark we needed, and it triggered an outpouring of ideas and themes that would ultimately shape this second record.

I think that really is the key to our second album; we move with our feelings much more, we no longer feel the need to tick boxes, instead we choose what feels right. A lot of the songs revolve around a linear guitar riff, and a chilled and slouchy drum beat. The bass guitar loops much more, and there’s a noticable ‘dance’ element to the songs, in the vein of ‘The Whitest Boy Alive’. And I guess I attempt to sing more, instead of shout. I have less to be angry about, more to be upset about. Each song is a snapshot of a moment in time.

I write this on the final day of tracking. We have produced the record ourselves, something which we felt strongly about. It means alot to me that we have full control over the finished product, as I want people to hear these tracks how we want them to be heard. No egos here, we are just extremely proud of what we’ve achieved.

The band will be assisted in the mixing process by the infamous Manics/Idlewild producer, Dave Eringa who produced their first album. The album is scheduled for release worldwide later this year.

September 14th, 2009LoveLikeFire – Album Out Today

Oh yes. You lucky lucky people. From today LoveLikeFire’s debut album ‘Tear Ourselves Away’ is unleashed on the whole of the UK and iTunes. As the nights draw in and we all invest in a giant winter coat, this will be the perfect album to hibernate to. Powerful, epic and full of tunes we are so proud of this album.

To celebrate LoveLikeFire are playing the following UK shows. See you there!

September
15th – The Portland Arms, Cambridge
16th – Louisiana, Bristol
17th – The Social, Nottingham
18th – Friends of Mine @ KRO Bar, Manchester
19th – Southsea Festival, Portsmouth
20th – The Flapper, Birmingham
21st – Fibbers, York
22nd – Capitol, Glasgow
23rd – The Cluny II, Newcastle
24th – Madame Jojos – London
25th – Pure Groove Records Instore – London – 1.15pm
26th – 93ft East, London
27th – Brixton Windmill, London
28th – Ten Ft Tall, Cardiff
29th – Freebutt, Brighton
30th – Joiners, Southampton

October
1st – Boiler Rooms – Guilford
2nd – Cargo, London

August 19th, 2009The Answering Machine Artrocker Cover Stars

The ever lovely and super cool Artrocker have been so kind as to let The Answering Machine grace their cover for the current issue. Sir Martin Colclough in his first of many cover photos we hope!

TAMART

Available in good record stores/newsagents now!

July 6th, 2009Another day, another copyright infringment

There are few things we at Heist Or Hit dislike more than sending out email’s asking blogs/torrents/dodgy Russian sites to stop leaking our music. I have spent a good amount of time today doing a sweep to see what I could find and basically it’s people who don’t understand how releasing music works. Or more so think they have a right to take something for nothing.

Let’s be totally honest with you, from time to time we download albums for free but our moral compass means we will go out and buy the album afterwards. Here’s a good example, I gave the new Horrors album a listen after all the praise it has been receiving. Fair enough, it’s great so I’m going to buy it soon, plus my brother will be getting it as a birthday present. Just because we can take something for nothing, does not mean we should.

You can give it all the ‘major labels are scum of the earth’ spin as you like. Ultimately taking someones hard work for nothing is illegal and wrong. More so, what does it say of your appreciation of this art form. I know that LoveLikeFire and The Answering Machine have spent years learning their instruments, practicing, writing songs, channeling all their efforts into their music. Not only has money gone into recording these albums but hours of hard work.  But hey, if you can download the results in 10 minutes for free why shouldn’t you?!

If anything we are getting less out of the music by having too much of a good thing. Remember when you had to save up for an album and it meant so much more to you? When you didn’t have a computer with a hundred new releases you can maybe give half a listen to as you are too busy? When you persisted with something and realised how great it was because you had spent time and energy and money buying it? Would I enjoy Neutral Milk Hotel as much as I do now had I just given it a casual download listen? No fucking way. Are they one of my favourite bands in the world as a result of the work I put into their music? 100% yes.

Falco from Future Of The Left is a great man and put his point across well in this blog which is well worth reading.

The Heist Or Hit Honesty Box is open now to help people put right their wrongs.

Thanks a lot

Heist Or Hit